Guide Talk - Rob Vaz (Backcountry New Zealand guide)

Welcome to Guide Talk! Today, we’re catching up with Rob Vaz, a fly fishing guide from New Zealand who balances his time between guiding, fishing, and painting. Rob’s stories from the water and his artistic side offer a refreshing take on the world of fly fishing. Dive in and enjoy exploring Rob’s unique adventures and insights!

Q1: You’ve been guiding in New Zealand’s beautiful waters for some time. When did you first start guiding, and what led you to pursue it as a career?

I first started guiding in the early 2000s. Initially, it was a way to support my competitive fly fishing habit. I've had the honor of representing New Zealand in various international competitions and world fly fishing championships. While I’ve enjoyed fishing abroad, I always appreciate how exceptional our New Zealand waters are. However, I’m concerned about the future of guiding and our fisheries and how we can preserve them for future generations.

Q2: Guiding anglers must lead to some memorable experiences. What’s the funniest or most unexpected thing that’s happened on one of your trips?

One of my earliest clients stands out. The night before, he spoke with a very posh English accent (quite different from my mum’s), so I had certain expectations. However, when I picked him up in Auckland, he was Asian and dressed in old-school tweed. It was a lesson in not having preconceived notions about people. Despite this mix-up, we had an incredible day on the water and caught plenty of fish!

Q3: How did you get into fly fishing, and how long ago did you first pick up a fly rod? Was there a particular moment that got you hooked?

My younger brother, who is well-known in the fly fishing world, was the first to pick up a fly rod. Growing up, I loved the outdoors, which is part of our family heritage. In the late 1990s, I started with spin fishing, borrowed my brother’s gear, and eventually graduated to fly fishing with a few bad habits initially. Investing in some basic gear was a turning point for me. For me, it’s always been about the experience of being in nature as much as the fishing itself.

Q4: When you’re not guiding, you’re creating amazing art. How did you first get into painting, and does your time on the water influence your work?

I’ve always been drawn to nature and art. I started with pencil sketches on school desks out of boredom with math. After graphic design school in my 20s, I took painting more seriously. The natural beauty of the places I fly fish deeply influences my artwork. Each location I visit leaves a mark on my soul, providing endless inspiration for my paintings.

Q5: New Zealand’s trout are world-renowned. Do you have a favorite spot that you always enjoy taking clients to, where the fishing is just too good to resist, even if they don’t get to choose the location?

There are so many great spots that I tailor my recommendations to each client’s physical ability and expectations. New Zealand’s waters vary significantly, with some locations presenting physically challenging terrain and requiring technical casting skills. I strive to find the perfect spot that matches the client’s skill level and offers an unforgettable fishing experience.

Q6: Fishing and art might seem like different worlds. How do you juggle guiding clients and creating new artwork? Any tips for balancing two passions?

With a background in graphic design and sign making both in New Zealand and briefly in the UK, I’ve learned to manage my time effectively. I schedule guide days and work around my art projects and signage work. Balancing both passions involves staying organized and looking forward to the rewards each brings. Completing a painting feels similar to ending a successful day on the river—both are deeply satisfying.

Q7: Every guide has seen some interesting gear over the years. What’s the most unique or amusing piece of equipment a client has brought along, thinking it would be a game-changer?

Fly fishing can be as complex or as simple as you want it to be, and much of the gear is fairly standard. However, I once had a client bring a very lightweight 3# fly rod, not realizing that New Zealand’s fish can be quite large and hard-fighting. It was amusing to see him struggle to land a big fish without some expert netting skills. The rod was simply too light for the job!

Q8: Your artwork captures the spirit of fly fishing beautifully. What’s your favorite piece you’ve created, and is there a story behind it that you’d like to share?

One of my favorite pieces is inspired by a small backcountry tributary that requires a lot of effort to reach. It’s a magical place, full of tranquility and peace. Painting it was particularly therapeutic during a challenging period in my life. I hope my art continues to convey the spirit of these beautiful locations and brings joy to those who view it.

Q9: The weather in New Zealand can be unpredictable. What’s the wildest weather you’ve had to guide through, and how did you keep things lighthearted in the face of it?

In 2023, Cyclone Gabrielle caused significant damage along the East Coast of New Zealand’s North Island. I was starting a week-long guiding job just after the storm, and our region faced high waters and strong winds. Fortunately, rivers further inland were less affected and still fishable. Keeping a positive attitude and adapting to nature’s whims helped keep the day enjoyable for my clients.

Q10: Have you ever had a moment while guiding that was so picture-perfect you couldn’t wait to get back to your studio to paint it? How did that piece turn out?

I love capturing moments with my iPhone, and some of these photos have inspired my artwork. On a recent trip to Australia, I wanted to create a painting of a Permit fish as a gift for a friend. Preparing for the trip involved painting the fish in advance, and the final piece turned out beautifully. The research and effort made it even more meaningful.

Q11: We all have that one fish that got away. What’s your most memorable “almost” catch, and how did your client react to it?

One memorable “almost” catch occurred while guiding a Canadian couple in the Te Urewera National Park. I botched a net shot, and a large rainbow trout escaped. The client’s wife captured the moment on camera, and they both laughed it off. It’s moments like these that remind us that not every catch ends with a fish, but they make for great stories. I’ve since upgraded to larger nets with longer handles!

Q12: Do you have any superstitions or rituals you follow before heading out on a guiding trip, or do you just go with the flow?

Before starting the day, I enjoy making breakfast and coffee while listening to John Mayer. Music is a great way to set a positive tone for the day and get in the right mindset for guiding.

Q13: What’s the most unusual or creative request you’ve received for a commissioned piece of art, and how did you bring that vision to life?

I’ve had some unique art commission requests, each presenting a creative challenge. One memorable project involved blending traditional fishing scenes with abstract elements. It was an enjoyable challenge that allowed me to experiment with different styles and push the boundaries of my creativity.

Q14: Looking forward, what exciting new projects or adventures are you planning in both your guiding career and your artwork? Any dream destinations or subjects you’re eager to explore?

I’m considering guiding a season abroad if the opportunity arises. I’m also excited about an upcoming trip to Mongolia and a saltwater adventure early next year. Both trips promise new experiences and challenges. As for my artwork, I dream of exhibiting in a national show one day. Both guiding and art are lifelong journeys, and I’m grateful for the adventures they bring.

That’s a wrap on our chat with Rob Vaz! From wild weather stories to artistic inspirations, Rob’s experiences are as captivating as they are diverse. We hope you enjoyed this glimpse into his world. Be sure to explore more incredible guides from around the globe on our Guide Talk page.